This is available for international shipping. Shipping costs are calculated at checkout.
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This is a museum-quality Giclée print made with high-quality archival pigment inks on Hahnemühle Photo Rag® paper (308 gsm, 100% cotton, acid- and lignin-free), designed to last a long time without fading or discoloration.
Each print is made to order, then carefully printed and packaged at Puuung Studio in South Korea. Production takes 3–5 days. Art prints are shipped worldwide in a sturdy protective tube, separate from other items in your order.
Please note that frames are not included.
Shipping:
Depending on the destination, the package usually takes anywhere from 7 to 14 days to arrive from South Korea. For deliveries within South Korea, the package typically arrives within 1-2 days. Delivery delays can occasionally occur. If the product takes more than 14 days to arrive, please contact us at hello@puuung1.com. Shipping charges for your order will be calculated and displayed at checkout.
Import Taxes & Fees:
An international shipment recipient may be subject to import taxes (e.g., VAT or GST), customs duties (depending on the item), and clearance fees, which are charged once the shipment reaches the destination country. Particularly in Europe and Brazil, additional import taxes and fees are likely to apply. For shipments to the United States, no additional import costs are generally incurred. We have no control over these charges and recommend checking your local regulations for details.
Puuung is an illustrator and animator based in South Korea. She believes that love emits light from small things and comes in ways that we can easily overlook in our daily lives. Thus, she captures these little moments of love, bringing them to life through her illustrations and animations.
Puuung's work gained international recognition when her illustrations were featured in various media worldwide in 2015. She generally starts her illustrations with pencil sketches on paper, finishing them with a digital coloring process. Some works are entirely digital. Recently, she has produced fewer illustrations, focusing more on animation, yet she remains actively engaged in both fields.
